QUIK - "Snoopy"  Train of Thought

QUIK - "Snoopy" Train of Thought

QUIK   –"Snoopy" Trains of Thought.  Original acrylic painting on archival pigment print on Moab Entrada 300 gms art paper. Approx size 36x9".

Graffiti on trains has always been a controversial medium, and this has certainly been one of the reasons that has made the form controversial and has brought such popularity to the movement.Although there have been many arguments about graffiti on trains, the train has been the medium of choice for the 'Graffiti Writer'. It is something that has been a vital part of the New York transit history, 

that often is spoke about by many of those who have had the experience to witness the works displayed on the subway system of New York.

"Trains of Thought" has re- captured the true attitude of graffiti once again, by placing original art form on trains!


Lin 'QUIK' Felton is a painter of African American descent born in Queens, NY 1958. QUIK as a subway graffiti painter was recognized for his satirical and arrogant comic imagery, as well as the ability to post his tag and masterpieces upon each subway line numbering in the thousands.

After studying 3 years at PRATT Institute and PARSONS School of Design, QUIK was recognized by Yaki Kornblit, a renowned Amsterdam art dealer in 1982 via the efforts of FUTURA 2000 and the momentum created by the SOUL ARTISTS painting association. Despite dabbling and attempting a career with the computer giant IBM, QUIK had found his calling in the creative arts rather than the financial accounting required to proliferate nuclear weapons and strengthen the American Defense Department.

Following a successful introduction into the art world via Holland's tremendous support, QUIK eschewed the USA for the most part finding Europe's admirable attempts for racial and social equality more to his liking. The racial tensions and social inequalities present within the United States is a recurrent and raging theme in QUIK's work. When asked in regard to his thematic development and professional career now in it's fourth decade, QUIK simply replies, "I paint sounds, I paint the Blues."

The Blues is not all QUIK paints, as one can revel in his cynical juxtaposition of cartoon characters; romantic and brooding pinup girls and naturally the graffiti lettering that has now made him world famous after participating in hundreds of museum and gallery exhibitions. To balance his relentless energies in the commercial art world QUIK has a respected notoriety for working alongside and instructing high school and university students throughout western Europe.

QUIK's work can be found listed within the archives of the Studio Museum of Harlem; The Museum of the City of New York; the Groninger Museum in the Netherlands and several other distinguished collections .

 

 

 

 

 

About the Artist

QUIK

Lin 'QUIK' Felton is a painter of African American descent born in Queens, NY 1958. QUIK as a subway graffiti painter was recognized for his satirical and arrogant comic imagery, as well as the ability to post his tag and masterpieces upon each subway line numbering in the thousands.

After studying 3 years at PRATT Institute and PARSONS School of Design, QUIK was recognized by Yaki Kornblit, a renowned Amsterdam art dealer in 1982 via the efforts of FUTURA 2000 and the momentum created by the SOUL ARTISTS painting association. Despite dabbling and attempting a career with the computer giant IBM, QUIK had found his calling in the creative arts rather than the financial accounting required to proliferate nuclear weapons and strengthen the American Defense Department.

Following a successful introduction into the art world via Holland's tremendous support, QUIK eschewed the USA for the most part finding Europe's admirable attempts for racial and social equality more to his liking. The racial tensions and social inequalities present within  the United States is a recurrent and raging theme in QUIK's work. When asked in regard to his thematic development and professional career now in it's fourth decade, QUIK simply replies, "I paint sounds, I paint the Blues."

The Blues is not all QUIK paints, as one can revel in his cynical juxtaposition of cartoon characters; romantic and brooding pinup girls and naturally the graffiti lettering that has now made him world famous after participating in hundreds of museum and gallery exhibitions. To balance his relentless energies in the commercial art world QUIK has a respected notoriety for working alongside and instructing high school and university students throughout western Europe.

QUIK's work can be found listed within the archives of the Studio Museum of Harlem; The Museum of the City of New York; the Groninger Museum in the Netherlands and several other distinguished collections .