QUIK/REVOLT- Collaborative work – Titled "Almost Perfect" . Aerosol, Paint marker and Marker on NYC Transit Map. 2015. Measures approx 23 × 29 Inches.
After studying 3 years at PRATT Institute and PARSONS School of Design, QUIK was recognized by Yaki Kornblit, a renowned Amsterdam art dealer in 1982 via the efforts of FUTURA 2000 and the momentum created by the SOUL ARTISTS painting association. Despite dabbling and attempting a career with the computer giant IBM, QUIK had found his calling in the creative arts rather than the financial accounting required to proliferate nuclear weapons and strengthen the American Defense Department.
Following a successful introduction into the art world via Holland's tremendous support, QUIK eschewed the USA for the most part finding Europe's admirable attempts for racial and social equality more to his liking. The racial tensions and social inequalities present within the United States is a recurrent and raging theme in QUIK's work. When asked in regard to his thematic development and professional career now in it's fourth decade, QUIK simply replies, "I paint sounds, I paint the Blues."
The Blues is not all QUIK paints, as one can revel in his cynical juxtaposition of cartoon characters; romantic and brooding pinup girls and naturally the graffiti lettering that has now made him world famous after participating in hundreds of museum and gallery exhibitions. To balance his relentless energies in the commercial art world QUIK has a respected notoriety for working alongside and instructing high school and university students throughout western Europe.
QUIK's work can be found listed within the archives of the Studio Museum of Harlem; The Museum of the City of New York; the Groninger Museum in the Netherlands and several other distinguished collections .
DR REVOLT -Born and raised in New York City, with graffiti roots in the early 70's, REVOLT is an original member of the historic NYC subway graffiti crew, The Rolling Thunder Writers (RTW). Known for his ultra-colorful tags and elaborate pieces on the Broadway #1 line, with heavily influenced psychedelic and comic art stylings, and later, taking it "all-city". With contributions to the seminal classic hip-hop films, "Wild Style and "Style Wars", his participation in the 80's East Village art gallery scene, various music videos and, album covers, animation, comics, vinyl toy design, and creating the classic "YO! MTV Raps' logo. His early 80's tour of duty in the city of Baltimore is legendary, where he, like a "Messenger of Style", singlehandedly kick-started a graffiti scene there that still feels his influence today.
His place in the history of "graff-dom" is set.
His work has been seen in various publications and art galleries globally. Recent collaborations and conspiracies include: Roger Waters' Live Earth show, Pepsi, Mountain Dew, VH-1, Scion Installation, Swindle Magazine, Illmatic, ChocolateBar, Kid Robot, Dickies, The Stussy World Tour, E.S.P. The Tri-CoastalGraffiti Show, Juxtapoz, Sony Music, Graffiti: Spirit of an Age @ 40 × 10, Bethel Center For New Media Arts, Le TAG au Grand Palais, The Draw Show, Definition: The Art and Design of Hip-Hop, Nimbus Vapor, Back to the Fun Gallery @ Meltdown, NYC Black Book Masters, and Zune Arts.